My work stands at the intersection of traditional and contemporary pottery. My interest in medieval European salt glaze and 17th century English slipware began as result of my training at the Winchcombe Pottery in Gloucestershire, England, but my earliest work in clay was sculptural and those two disparate bodies of work continue to inform the pots that I make today.
I started making my own pottery in 1980 in Fredericksburg, Virginia. Making pots for a living is satisfying on many levels. I enjoy working long and hard and being productive, all of which are necessary to success. The opportunity to go in the studio each day and exercise imagination and skill is enormously satisfying. I believe that my job is to make each pot as well as I possibly can. No shortcuts! Making pottery is a lifestyle choice as much as it is a career choice…it is an integrated way of living, where work and play and everyday life all dissolve into each other and that suits me. It also allows for a great deal of variety: not only do I make pots, but I teach workshops, exhibit, post on social media, curate a show and travel. My own pleasure in making pots is made all the better by the pleasure that they bring to others. I've sold most of my work directly from my studio and the opportunity to meet and talk with my customers brings me great satisfaction. I enjoy the aesthetic challenges of making pots as well as the physical labor that being a potter and firing with wood entails. It is important to me that my work be finely crafted and made to a very high standard. I love the architectural qualities of clay, the permanence of stoneware, and the sweet magic that occurs when good pots, good food and good people come together!